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Type: Large-diaphragm condenser microphone
Polar Pattern: Cardioid
Notable Features: Transparent and natural sound, suitable for various studio applications.
Type: Large-diaphragm condenser microphone
Polar Pattern: Cardioid
Notable Features: Part of the EMI Abbey Road Studios series, inspired by the sound of the EMI TG12345 console preamp.
Type: Large-diaphragm condenser microphone
Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure-of-eight
Notable Features: Versatile microphone suitable for a wide range of studio applications, multiple polar patterns.
Type: Large-diaphragm condenser microphone Polar
Pattern: Cardioid
Notable Features: Clear and detailed sound reproduction, often used for vocals and instruments.
Type: Large-diaphragm condenser microphone
Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure-of-eight
Notable Features: Multipattern microphone with a transparent and natural sound.
Type: Dynamic microphone
Polar Pattern: Cardioid
Notable Features: Widely used for instrument recording, durable design, and versatile for various sound sources.
Type: Dynamic microphone
Polar Pattern: Cardioid
Notable Features: Iconic vocal microphone with a tailored frequency response for vocals, durable construction for stage use.
TT (Tiny Telephone) Format:
The “TT” in the name suggests that it uses the Tiny Telephone (TT) patch bay format. TT connectors are a compact version of the standard 1/4-inch phone plug and are commonly used in professional audio patchbays.
Normalizing and Half-Normalizing Jacks:
Patchbays often feature normalizing and half-normalizing jacks, allowing you to easily change the signal flow between connected devices.
Front and Rear Panel Connections:
Patchbays typically have both front and rear panels, with front panel connections allowing easy access for patching and rerouting signals.
Durable Construction:
Professional patchbays are constructed with durability in mind, using high-quality materials and connectors to withstand frequent use in a studio environment.
Grounding and Signal Integrity:
A good patchbay should have effective grounding to maintain signal integrity and minimize noise in the audio signal path.
Labeling and Identification:
Patchbays often include labeling options to help identify the connected devices and signal paths, making it easier for engineers and producers to work efficiently.
Rack-Mountable:
Many patchbays are designed to be rack-mounted, allowing for easy integration into standard studio racks.
Saturation and Tape Emulation:
The Neve 542 is primarily designed to impart the warmth, character, and saturation associated with analog tape recordings. It emulates the sound of vintage tape machines, adding harmonics and coloration to the audio signal.
500 Series Format:
The Neve 542 is a module that fits into a 500 Series rack, making it compatible with other 500 Series modules and allowing for flexible signal chain configurations.
Drive Control:
It typically features a drive control that allows users to adjust the amount of saturation or tape emulation applied to the signal. This control lets you dial in the desired amount of harmonic distortion.
Blend Control:
Some tape emulators, including the Neve 542, offer a blend or mix control. This allows you to mix the saturated signal with the dry signal, providing parallel processing and maintaining the original dynamics.
Level Control:
The module often includes a level control to adjust the output level after applying saturation.
Vintage Neve Circuitry:
The Neve 542 is built with the same quality and circuitry as the legendary Neve consoles, contributing to its reputation for delivering a classic analog sound.
Silk Circuit:
Some Neve devices, including the 542, may feature a Silk circuit. The Silk control introduces a form of harmonic saturation, enhancing the vintage coloration.
Inductor-Based EQ:
The Neve 542 might include an inductor-based EQ section that allows for further tone shaping.
High-Pass Filter:
Some tape emulators include a high-pass filter to control low-frequency content, especially useful when working with saturated signals.
Reverb Algorithms:
The PCM 96 features a variety of high-quality reverb algorithms, providing a range of reverberation options for different applications.
Dual-Processor Architecture:
It utilizes a dual-processor architecture, allowing for complex and rich reverb processing without sacrificing audio quality.
Room, Hall, and Plate Algorithms:
The unit typically includes a selection of algorithms for simulating different acoustic spaces, such as rooms, halls, and plates.
Surround Sound Processing:
The PCM 96 is designed to handle both stereo and surround sound processing, making it suitable for a wide range of audio production scenarios.
Lexicon’s Reverb Technology:
Lexicon is known for its high-quality reverb technology, and the PCM 96 inherits the legacy of Lexicon’s renowned reverb processors.
User Interface:
The PCM 96 usually features a user-friendly interface with a digital display and intuitive controls for parameter adjustment.
Digital and Analog Hybrid Design:
BetterMaker often incorporates a combination of analog and digital circuitry in their designs, providing the benefits of both worlds.
Transparent Limiting:
The BetterMaker Mastering Limiter is known for its transparent limiting capabilities, allowing for precise control over the dynamic range without introducing unwanted artifacts.
Stereo Linking:
It typically supports stereo linking for consistent control of the stereo image.
User-Friendly Interface:
BetterMaker products, including their limiters, often feature user-friendly interfaces with intuitive controls.
Digital Connectivity:
Some BetterMaker products provide digital connectivity options, allowing integration into digital audio workstations (DAWs) and modern studio setups.
Advanced Metering:
It may include advanced metering options to help users monitor and control their limiting settings accurately.
Automation and Recall:
BetterMaker devices often come with automation capabilities and preset recall features, enhancing the workflow for engineers and producers.
Design Philosophy: The Crane Song STC 8 is a stereo compressor known for its transparent and precise dynamics control. It’s often praised for its ability to gently shape the dynamics of a mix without coloring the sound.
Dual-Band Compression: One of its notable features is the dual-band compression, allowing independent control over the dynamics of the low and high-frequency bands.
Transformer-Coupled Output: It utilizes transformer-coupled output for a touch of analog warmth.
Harmonic Generation: The Empirical Labs Fatso EL7X is more than just a compressor; it’s a “tape simulator” and harmonic enhancer. It’s known for its ability to add harmonics and saturation to audio signals, emulating the characteristics of vintage tape and tube equipment.
Warmth and Coloration: The Fatso is often used to impart a warm and colored character to individual tracks or an entire mix.
Compression and Saturation Controls: It offers various controls for compression, saturation, and tape-like effects.
Classic Neve Sound: The Neve 2264A LB is a 500 Series module version of the classic Neve 2264A compressor/limiter. It is renowned for its classic sound, known for imparting warmth and character to audio signals.
Class A Design: The 2264A features a Class A amplifier design, contributing to its smooth compression characteristics.
Program-Dependent Release: It includes a program-dependent release function, adjusting the release time based on the characteristics of the incoming audio.
Design Philosophy: The Manley Massive Passive is a tube EQ known for its passive design and broad, musical curves. It’s often used to add color, warmth, and character to the audio signal.
Variable EQ Bands: It features a unique design with four parametric bands (two per channel) that can be adjusted for frequency, bandwidth, and gain. The shelf curves are wide and musical, allowing for broad tonal shaping.
Tube Circuitry: The Massive Passive uses high-quality tubes in its circuitry, contributing to its signature analog sound.
Single-Knob Design: The Clariphonic Parallel Equalizer is known for its simple yet effective design. It features two knobs, each controlling a different high-frequency band.
Air Band: It is particularly renowned for its “Air” band, which adds a silky, open top end to the audio without introducing harshness.
Parallel Processing: The Clariphonic operates in parallel, allowing users to blend the affected signal with the original, maintaining the natural character of the source.
Classic Neve Sound: The Neve 1073LB is a 500 Series module version of the classic Neve 1073 equalizer. It is known for its warm and colorful analog sound, especially in the midrange.
Three-Band EQ: The 1073LB typically features a three-band EQ with fixed frequency points for the low and high bands and a selectable mid-frequency.
High-Pass Filter: It includes a high-pass filter for rolling off low-frequency content.
Classic Neve Sound: The Neve 1073 OPX is part of the 1073 series, known for its classic analog sound and character.
Remote-Controlled Preamp: The OPX is a rack-mounted preamp with remote control capabilities, allowing for control and adjustment from a distance.
Digital Connectivity: It features digital connectivity options, including Dante and AES67, allowing integration into modern digital audio workflows.
Remote Mic Preamp: Designed for use in recording studios, the OPX can be placed near the source, reducing the length of microphone-level analog cables.
Multiple Inputs: It typically provides multiple analog and digital inputs for versatile connectivity.
Air Band EQ: The Maag PreQ4 includes the signature Maag Air Band EQ, known for adding a unique and open top end to the audio signal.
Transparent Preamp: Designed for transparency and clarity, the PreQ4 is often used when a clean and uncolored preamp sound is desired.
Drive Control: It may include a Drive control that allows you to add harmonic saturation to the signal.
Phase Switch: The PreQ4 usually features a phase switch for polarity inversion.
Compact Design: The PreQ4 is typically a 500 Series module, offering a compact form factor for easy integration into 500 Series racks.
Maximum Output Current:10 amps
Line Cord:1.5 meter, removable, IEC C-13 female to Schukomale
Operating Voltage: 230VAC 50Hz
Spike Protection Mode:Line to neutral
Energy Dissipation:305 joules
Peak Impulse Current:12,000 amps
Maximum Continuous Operating Voltage:650 Volts
Noise Attenuation:Transverse mode: Greater than 20dB, 1.5Mhz to 200 Mhz
Dimensions:1.75” H x 19” W x 7.5” D
Analog Inputs:
16 x 20 simultaneous input/output channels. 16 x 16 analog inputs via DB-25 connectors. Analog Outputs:
16 x 16 analog outputs via DB-25 connectors.
Preamps:
8 Unison-enabled mic/line preamps for accurate modeling of classic preamp tones.
Unison technology allows the preamp to emulate the impedance and gain structure of iconic preamp models.
Conversion Quality:
High-quality analog-to-digital and digital-to-analog converters for pristine audio quality.
DSP Processing:
Onboard UAD-2 QUAD Core processing for running Universal Audio’s analog emulation plugins with near-zero latency.
Monitoring:
Dedicated monitor outputs and headphone outputs.
Talkback functionality for easy communication in the studio.
Digital Connectivity:
Dual Thunderbolt 3 ports for high-speed connectivity to the computer.
Cascade up to 4 Apollo interfaces or UAD-2 devices through Thunderbolt for expanding your I/O capabilities.
Console Software:
Control and monitor your Apollo interface with the UAD Console application.
Real-time control over various parameters, routing, and monitoring features.
Integration with DAWs:
Seamlessly integrates with major DAWs (Digital Audio Workstations) such as Pro Tools, Logic Pro X, Cubase, and more.
Type: 3-way studio monitor.
Frequency Response: Typically extends from around 25 Hz to 25 kHz. Max SPL (Sound Pressure Level): Capable of high output levels.
Driver Size:
High-Frequency Driver: 1-inch soft-dome tweeter.Midrange Driver: 75mm fabric soft-dome.
Low-Frequency Driver: 10-inch carbon fiber/Nomex piston driver.
Transmission Line Design:
The PMC IB2S uses PMC’s Advanced Transmission Line (ATL) bass-loading technology for extended low-frequency response.
Amplification:
It is a passive speaker system, requiring external amplification.
Build and Design:
PMC speakers are known for their craftsmanship and attention to detail in both design and construction.
Type: 2-way studio monitor with a compression driver and differential drive dual voice coil, dual magnetic gap woofer.
Frequency Response: Typically extends from around 32 Hz to 40 kHz. Max SPL (Sound Pressure Level): Capable of high output levels.
Driver Size:
High-Frequency Driver: 1.5-inch compression driver.
Low-Frequency Driver: 15-inch dual voice coil, dual magnetic gap woofer.
Amplification:
The JBL M2 is often used in conjunction with Crown Audio amplifiers, with built-in DSP for system optimization.
Waveguide Technology:
Utilizes the patented JBL D2 compression driver technology for high-frequency reproduction.
Channel Strips:
The Neve 8424 typically features 24 channel strips.
Each channel strip includes a preamp, EQ section, and dynamics section.
Preamp:
The console is known for its high-quality microphone preamps, which are a characteristic feature of Neve consoles.
EQ:
The EQ section is likely a 4-band design with parametric controls.
It may offer high-pass and low-pass filters.
Dynamics:
The dynamics section usually includes a compressor and gate/expander for each channel.
Monitor Section:
The console is likely to have a comprehensive monitor section with control over multiple monitor sources, headphone outputs, and talkback functionality.
I/O (Input/Output):
The Neve 8424 is expected to have a variety of input and output options for connecting external devices.
Analog/Digital Integration:
It might offer options for integrating with digital audio workstations (DAWs) through features like direct outs, inserts, and digital connectivity.
Build and Design:
The console is likely to be built with high-quality components and designed for durability and reliability.
Size and Form Factor:
The Neve 8424 is designed to be compact and suitable for smaller studio spaces while retaining the quality associated with larger Neve consoles.
Cast : Shane Nigam, Antony Varghese, Neeraj Madhav, Mahima Nambiar
Written & Director : Nahas Hidhayath
Producer : Sophia Paul
Music Composed and Arranged by – SAM C.S
Programmed by – Onasis mohan
Cast : Selvaragavan, Natty(Natraj Subramaniyan), Radharavi, Rajan K, Rams, Saravanan Subbiah, D Gunanithi, Tarakshi, Mansoor Ali Khan, Devadharshini, P L Thennappan, Cool Suresh, Sasi Laya, Lavanya, Pondy Ravi, Kuty Gopi, Arunodhayan
Director : Mohan G
Producer : Mohan G
Music : Sam C.S
Cast : Jai, Tanya Hope, Mahendran and Harishankar Narayanan
Director : Arunraja Kamaraj
Music : Sam C.S
Cast : Harish Kalyan, Indhuja Ravichandran, M.S. Bhaskar, Rama, Prarthana & Others
Director : Ramkumar Balakrishnan
Producers : Sudhan Sundaram, K.S. Sinish
Music : Sam C.S
Cast : Prabhu Deva, Regina Cassandra, Anasuya Bharadwaj, Vijay Vishwa, Ilavarasu, Umariyaz, Chaams
Writer & Director : Don Sandy
Production : Abhishek Films
Produced by : Ramesh P Pillai
Music Director : Sam CS
